My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 9

Illustration: Jeunes femmes sur la lande au clair de lune by Marcel Rieder
My Translation:
***
Azure hills near Moscow linger,
Tar and dust  — in the lukewarm air.
I sleep all day, all day I laugh  — let's say
I am recovering from winter.

I am walking home in utter silence:
For unwritten poems — no remorse!
I prefer, to every single verse,
The rattling wheels, the smell of fried almonds.

When the mind is beautifully empty,
Always blame the heart — it is too full!
As though little waves, my days unfurl;
From the bridge, I  watch them fall aplenty.

Someone's gazes are too soft and tender
In the tenderness of lightly heated air...
I am falling under summer's spell,
Barely recovered from winter.

(March 13, 1915)
Continue reading “My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 9”

My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 8

This is an art deco painting of a pale young woman with short red hair in a light summer dress. She  is resting on the terrace at midnight with her head turned to the full moon shining over the sea in the distance. She seem melancholy and serene at the same time.
Illustration: Rêverie au clair de lune by René Balades (French, 20th century)
My Translation:
***
Midnight—over the coffee grounds
She cries, looking toward the East.
Her mouth is innocent and unbound,
Half—a flower, and half—a beast.

Soon a crescent—young and slender—
Shall replace the scarlet dawn 
All my combs I will surrender,
All my rings - to you alone!

Waxing moon between the branches
Did not shelter anyone.
I will give you all my bracelets,
All my chains - to you alone!

As though under a heavy mane
Your luminous pupils shine!
Are your comrades jealous in vain? -
The full-blooded horses stay light!

(December 6, 1914)
Continue reading “My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 8”

My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 7

Two aristocratic women in silk white dresses are holding hands in the garden. They are smiling tenderly.
Illustration: The elegant Reventlow sisters by Heinrich August Georg Schiøtt (1840s)
My Translation: 
***
Her neck is lifted—young and free,
Like spring in reverie.
Who knows her name—who knows her age,
Who—home, who—century?

There is no light on these curved lips— 
Capricious and gentle—  
Yet I am blinded and eclipsed
By her Beethoven's temple.

It makes me tender—clear and lit,
Her face, a melted oval,
Her hand, in which a whip would fit,
And—in the silver—opal.

A violin bow could serve her hand,
But into silks it went,
How unrepeatable—this hand,
Unique, beloved hand.

(January 10, 1915)
Continue reading “My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 7”

~ The Poetics of Digital Media ~ Podcast

Show Notes

Are you interested in digital poetry? Do you want to know how technology transforms literary art? Then, this podcast is for you! Hosted by Veronika Sizova, “The Poetics of Digital Media” episode evaluates the advantages and disadvantages of posting poetry on social media, illustrates the concept of E-Poetry, and explains how digital media liberates literature through a combination of verbal, visual, and musical expressions. Finally, it provides a reminder that social media, despite its creative benefits, may also cause significant distress.

Continue reading “~ The Poetics of Digital Media ~ Podcast”

My Translation of Marina Tsvetaeva’s Cycle “Girlfriend” – Part 5

Illustration: Lady Before the Mirror by John White Alexander
***
I want to ask the looking glass 
With dusty, mistful dreams, 
Which road - which country shall You pass, 
And where Your shelter gleams.

Here, I behold: the ship's tall mast,
And You - on deck alone...
You - in the train's steam... Fields at dusk
Are gloomy and forlorn...

The dusky meadows bathe in dew,
Above - the ravens soar...
To the four winds I scatter You
And bless Your soul!

May 3, 1915

Click to see the original poem

Ode to Saint Petersburg

Snowy landscape with a statue of Peter the Great, the first Russian Emperor, covered by snow.
My photo of St. Isaac Cathedral and The Bronze Horseman (Peter the Great’s Statue), 2017.
The Spire of the Admiralty Building with an angel on top is visible, while the building itself is blocked by the snow-coated trees.
My photo of The Admiralty, 2017
The facade of the Winter Palace, framed by icy branches of trees.
My photo of the Winter Palace, 2017
Roses blooming in the Peterhof Gardens, surrounded by greenery.
My photo of The Peterhof Palace Gardens, 2020
Saint Petersburg - the city of the Dead,
Where dreaming spirits haunt the mist-cloaked streets.
A diadem of rubies crowns your head,
And silver armour lines your mighty fleet.

Let myriads of angels guard your spires
Against the pain and suffering of war:
Rejoice, the bygone northernmost empire,
Built on deception, cruelty, and gore!

The Winter Palace flaunts its azure gown -
A ballerina on the frozen lake,
Whose beauty flares, as if about to drown
Beneath the burden of her last mistake.

May a luxuriant, wild garden grow
Where once was land of misery and snow.

Song of the Raven

The artwork portrays a young woman sitting on the grass with a crow perched on her hand. Both of them look at the crescent shining brightly in the night sky.
Illustration: The Moon Asked The Crow by Christian Schloe
We are spending more time apart than together
Playing silent games…

Are we lovers or ghosts, lighter than feathers,
Leaving nebulous stains?

Let my longing be nectar to your amorous venom,
Which leads me astray -

Our memories echo a murderous raven
Looking for prey.

Tenderness has become a torturous weapon
In your loving hands,

And I swallow my words like the earth swallows Heaven
Each time it rains…

Ceci n’est pas une Rose

This painting features a rose blooming alone on the edge of a cliff surrounded by the sea; it is dawn, and there are beautiful clouds in the sky blending with the horizon.
L’utopie (Utopia) by René Magritte
This surrealistic painting captures a gigantic red rose, occupying an entire room.
Le tombeau des lutteurs (The tomb of the wrestlers) by René Magritte
This surreal image portrays the ocean ic beach at sunset. Instead of the sun, there is a large rose, which seems to float on the waves.
L’invitation au voyage (The Invitation to Travel) by René Magritte
A portrait of a woman gazing longingly at a rose in her long golden hair. There are impressionistic visions of the sea and the mountains in the background.
Le Roman Populaire (The Popular Novel) by René Magritte
If you were a rose,
You would hide in the dark
Until I discovered your delicate spark.

If you were a rose,
Every flower would fade,
Entranced by the perfume which you radiate.

If you were a rose,
Your soft, velvety skin
Would cover my eyes with the raptures unseen.

If you were a rose,
I would kiss your wild thorns,
Crimson with blood, as it lingers and burns.

If you were a rose,
You would bloom all year long,
Drinking my tears when I cry, all alone.

If you were a rose,
You would grow in my heart,
Entwining it gently, as you tear me apart.

My garden has blossomed 
With sorrow and loss.
Why didn't you tell me that you were a rose?